Lady Jaz’s Track by Track Musings on Kylie’s GOLDEN

DANCING 10/10

I truly love this song, it’s like bottled joy and deserved to be number one for 16 weeks straight. Damn millennials and their “streaming” messing up the hit parade! The double meaning in the chorus still tugs at my heartstrings.

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STOP ME FROM FALLING 10/10

We are all familiar with this smash hit by now. Kylie’s latino and country crossover is exceptionally uplifting. I can feel my serotonin levels rising when she trills “For youuuuuuuuuu” in the choruses.

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GOLDEN 10/10

I loved this when I first heard it as the opening track at her recent album showcase gig at Porchester Hall, but the album version is even better. Will Minogue break her trend of having never released a title track to an album as a single despite them usually being A+++? Justice for Aphrodite, Enjoy Yourself, Kiss Me Once & Light Years!

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A LIFETIME TO REPAIR 11/10

I’ve loved this song more than oxygen since the very second I first heard it. Just when you think it can’t get any better you get Kylie belting out the chorus like a sledgehammer to the heart. Heartbreak never felt so good!

SINCERELY YOURS 10/10

Kylie’s love letter to her fans, a truly touching moment that genuinely tugs at your heartstrings. I “love you dearly, yours sincerely” too Min!! The ad libs really make it for me, especially the “SO I PUT IT IN WRITING” at 2 min 38 secs.

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ONE LAST KISS 8/10

I imagine this is one song NOT written about the slimy lothario Joshua Sasse – can’t imagine Kylie would want him and those hair plugs that close to her ever again! A bouncy album track but not my favourite. I do really love the “so baby come to me, oh baby come to me” refrain though.

LIVE A LITTLE 8.5/10

Another positivity anthem. I enjoy the contrast between the verse and chorus but I feel this is a little throwaway. Weirdly (for me) I prefer the ballads on Golden to the more uptempo moments.

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SHELBY ’68 9/10

I’m a little conflicted about how this is in honour of Dad Ron Minogue yet features some romantic sounding lyrics. Fun fact the car sounds at the start are actually from Ron’s car and were recorded by Brendan Minogue meaning all three siblings are now officially popstars.

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RADIO ON 10/10

Completely heartfelt and moving ballad about Kylie finding salvation in music when her life has gone to pot. We’ve all been there babe. Weirdly uplifting despite the melancholic message just like all perfect pop songs.

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L.O.V.E. 9/10

Alas not a cover of the 2005 Missy Elliot featuring Ashlee Simpson single. Kylie’s harmonies are perfection on the choruses.

RAINING GLITTER 7/10

My least favourite on the album (soz Minogue). Is a very solid album track but to me just sounds like a Fever b side with a few added banjos. For a lot of people Fever is their favourite Kylie album but alas it isn’t mine! WHOOP

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MUSIC’S TOO SAD WITHOUT YOU (with Jack Savoretti) 10/10

I still don’t know who or what a Jack Savoretti is but I adore their voices together. The swirling waltz like melodies and orchestration sound gorgeous. I could imagine this playing over the end credits of a 60s British classic film starring Julie Christie & Richard Burton.

BONUS TRACKS

LOST WITHOUT YOU 11/10

One of the greatest, most broodingly epic masterpieces that Queen Minogue has ever been involved with. If you look up perfection in the dictionary you’d find her spoken word interlude. “Can I be honest with you, can I tell you the truth?” breathes Kylie at the start of the track and to me this feels like a metaphor for the album as a whole.

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EVERY LITTLE PART OF ME 9/10

One of the poppiest tracks on the album, that has a very fresh and modern sheen. I could picture this song having some fab choreography, and in all honesty is there any greater compliment in life?

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ROLLIN’ 8.5/10

Probably deserves its place as a bonus track. Works well with the rest of the album, but isn’t a standout to me.

LOW BLOW 8/10

Perfectly enjoyable saloon bop, but the lyric “swinging your lasso at my rodeo” is not gonna convince those skeptical about her new sound to hop on the Kylie train.

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What are your thoughts thus far on Kylie’s country opus?

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Kylie x Spotify

The excitement started last Sunday morning. I’d woken up early for another day of essay writing when my phone pinged; my friend Rob had sent me a screenshot of his phone indicating that he’d won a competition to attend a mysterious exclusive and intimate Kylie Minogue Spotify gig. “RSVP IMMEDIATELY” was my highly chilled out response. This all seemed far too good to be true, and I felt the same way until I firmly had a wristband attached to my arm on Wednesday afternoon. The collection point was at a private members club in Soho so I was easily able to stroll along during my lunchbreak and interrogate the Spotify crew as to what we should expect the following day. I managed to conclude that she would be singing a mix of songs from her new album Golden and a selection of classics and some “surprises”, the venue was tiny with a capacity of just 400 guests. I was also thrilled to discovered there there was going to be a free bar as Spotify wanted us to “have a good time”. As I apparently have no filter system for good measure my mouth managed to blurt out that “I don’t even do streaming. I’m very loyal to my iPod Classic”. Whoops. I accepted a complementary drink from their choice of four juice options (pineapple) and trotted back to work safe in the knowledge that as long as nobody chopped my arm off to make off with my precious contraband I was definitely going to see my idol live the following day.

The concert day arrived and my boss thankfully agreed that something “spectacular” had indeed occurred and he was cool with me leaving the office early. I popped onto the 36 (westbound) bus and was soon at Porchester Hall where I joined the queue as the 6th person in line. Being not much taller than La Minogue herself I was DETERMINED to get an excellent view and luckily the other fans who had had the same idea were absolutely delightful and we merrily chatted away as the countdown began. Doors were due to open at 7pm with Kylie Ann on stage at 8pm. My friend Danny had also won tickets so he and my friend Kate (+ unborn child) as well as Rob joined me in the queue as we continued our wait. Me and my big mouth had obviously made an impression the previous day as the guy I’d met from Spotify was walking along the queue to check if anyone need to collect a wristband & said to me “I know you don’t need one. I remember you from yesterday.”

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7pm came along and we began to shuffle into the venue. I was in such a rush to get to the front of the stage I bypassed the free drinks and accessory table; but it was worth it as I found myself right against the front barrier. That’s correct. FRONT ROW. In a tiny venue. As soon as my spot was secured I knew I was in for a once in a lifetime opportunity.

Danny kindly offered to take our freebie tokens and collect us some drinks from the bar (wine for the non-preggos, Coke for the preggo) and also managed to visit the accessories table selecting me a gold sequinned hat reminiscent of the Enjoy Yourself era. I was delighted to be informed that combined with my giant hoop earrings I looked very “Mel & Kim”.

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There was some mild concern amongst my party that a banjo and acoustic guitars were laid out on the stage, but these fears were soon laid to rest when Kylie set off glitter canons during her opening track which was the title track of her absolutely fabulous sounding new album ‘Golden’ (available from all major retailers on the 6th April!). Kylie was on absolutely stomping form. I dread to think how many times I’ve seen her live during my decades of super fandom but she looked happier and more relaxed than I can ever remember seeing her before. She is clearly delighted with her new material and it shows. Her stage set up was reminiscent of the Anti Tour with backing singers and a live band and not a dancer in sight. My highlights of the gig were as follows:

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  • An impromptu acapella rendition of the 1988 classic ‘Je Ne Sais Pas Pourquoi’. Rob and I had been joking outside that we hoped she’d sing it but not in our wildest dreams did we anticipate that might become reality.
  • The new songs. It comes as no surprise that I’m usually more thrilled than most when Minogue releases a new album, but after this concert I am even more excited than usual thanks to the strength of the new material that was debuted at the gig. Key tracks for me on first listening were ‘Sincerely Yours’ (a love letter to her fans no less), ‘Radio On’ and ‘A Lifetime To Repair’. Fun fact: I really had to restrain my emotions to stop myself from bursting into hysterical tears during the performance of this one. This is the first time since Impossible Princess 20 years ago that Kylie has co-written every single track on an album, and god does it show from what we’ve heard thus far!
  • Amusing myself by carrying out the original PWL choreo (as learnt from her ‘Kylie On The Go: Live In Japan’ TV special as she performed the Abbey Road ballad version of the 1989 number one hit single ‘Hand On Your Heart’.
  • Kylie being close enough that we made eye contact several times, the accumulation of which was her laughing when I did a cheesy #No1 finger signal during her performance of underrated banger ‘The One’.
  • During my favourite line of the aforementioned classic single (Close to touch like Michelangelo) she actually made her pal touch fingertips with her reminiscent of the scene painted on the ceiling of the Sistine Chapel. My highbrow goddess!

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Another special mention needs to go to Queen Kylie herself for being kind enough to pose for this selfie with myself and Rob. My only criticism is that my glasses clearly need a wipe!

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Thanks so much to Spotify and Queen Kylie Minogue herself for a truly Premium experience!

SETLIST

  • Golden
  • One Last Kiss
  • Raining Glitter
  • Breathe
  • Wow
  • Shelby ’68
  • Radio On
  • Islands In The Stream
  • The One
  • A Lifetime To Repair
  • Hand On Your Heart
  • All The Lovers
  • Stop Me From Falling
  • Sincerely Yours
  • Dancing

Kylie Christmas – The Sequel

My experience of Kylie’s second ever set of Christmas gigs was so special that I will never be able to forget it; and mostly because I was lucky (lucky lucky) enough to take along my 5 year old niece (and fellow superfan) Florence to her first ever concert. Seeing such a wonderful experience through the eyes of a young child was so moving; I truly think on my deathbed when I think back on my life experiences this will feature up there as one of the most magical I’m likely to ever to have.

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The excitement reached fever pitch even in the run up, with frantic rewatching of last year’s concert on YouTube and outfit planning; and as Florence rightly announced “Kylie Minogue is the biggest popstar in the whole world”. I met my sister outside the Royal Albert Hall, who dropped off her daughter leaving her in the care of myself and Ms Minogue for the evening. Before we’d even entered the venue Flo pointed in the window; screeching at a white tutu covered in musical notes “Auntie Cha Cha! It’s my favourite dress of Kylie’s from last year!!!”.

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We showed our tickets and went straight to the merch stand; Florence left with a programme and badge set whilst her slightly older Aunt left with the same plus a t shirt. We had our photograph taken posing with the tinsel dress featured on the Kylie Christmas: Snow Queen Edition reissue album; and Florence basked in the compliments she received regarding her sequinned bomber jacket (she was mildly annoyed with me for not wearing my matching one). We bumped into several other fellow Kylie fans who all wanted to know Florence’s thoughts on what was about to happen.

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After picking up a chocolate ice cream (a girl after my own heart, one of Florence’s biggest concerns was what snack selection the RAH would offer) we made our way to our seats. She was delighted to find a santa hat on the back of our seats and even though it was so big for her tiny head and kept slipping over her eyes she insisted on wearing her “present from Kylie” for the duration. I pointed up at the ceiling to a net bag full of balloons, and told a wide eyed little girl that I wouldn’t be surprised if they were released during the final song…

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We chatted with the chaps sat in front, a lovely couple who’d flown over from Holland for the show who were both very impressed such a small girl was a huge Kylie fan. Florence decided to entertain them with a rousing rendition of Little Donkey and her favourite Kylie hits whilst we waited for Kylie to take the stage.

The lights dimmed and Florence gripped tightly onto my arm, shaking with overexcitement as I said to her “that means she’s coming on stage” and right on cue Kylie entered stage right. She started proceedings with “It’s The Most Wonderful Time of the Year” as Florence exclaimed “I love this one!!” and we both danced and sang along at the top of our lungs. By the third song (“Santa Claus Is Coming to Town”) Florence leaned over to me and whispered “I think this is better than last year; the costumes are MUCH more Christmassy”. She also took great delight in pointing out every single time the setlist deviated from the previous year; which is exactly the level of detail I want to be having in a conversation with my five year old niece. My highlights of the first half were “Confide in Me” performed as the original single version and “Better The Devil You Know” dueted with Olly from Years and Years. Florence preferred “The One” (despite being unfamiliar with it she couldn’t stop singing “love me, love me, love meee” afterwards), the HEY! bits of “Christmas Wrapping” and “Celebration” for which she was delighted when I told her seeing as she’s so small she was allowed to dance standing on the chair.

Next up was interval time; Flossie reveled in learning all of these new and exotic terms. “Interval”, “duet”, “encore”; it was like her tiny mind had been opened up to a entire new world as she relished dropping these into conversation afterwards. During the interval on a quick trip to powder our noses Flo was delighted to spot two other little girls in the queue; as she smugly informed me once back at our seats “those kids were defo older than me Auntie Cha Cha”. Nails emoji!

Part two kicked off with something that I never thought I’d see let alone enjoy…a duet of “Your Disco Needs You” with opera singer Katherine Jenkins. Last summer (after turning up to babysit her and her brother with rainbows painted on my face) I taught my niece about the importance of gay pride. Florence was as pleased as punch to point out the significance of the rainbow flags on the stage. I’m proud to reveal that YDNY is now her favourite Kylie song – apologies to “Hand On Your Heart”! She also massively got into “100 Degrees”; during the intro I asked Flo if she thought Kylie’s sister might duet with her…she then innocently said to me “Is Britney Kylie’s sister?”. Close Floss. Close.

During “Let It Snow” poor Florence looked crestfallen to see that it did not actually snow. “Never mind she said” as I tried to distract her with chocolate buttons. Her attention was soon alerted when I pointed to the giant disco ball high up in the roof of the iconic venue…. “Look Florence; it’s coming down!” I exclaimed and my young niece gasped as we were suddenly in the midst of the biggest disco in town as Ms Minogue belted out her cover of “Night Fever”. Act Two came to a close with “All The Lovers” complete with confetti drop. Whilst Florence was suitably impressed she asked if it was time to go home (it was three hours past her bedtime); “Not yet Floss; don’t forget about those balloons!!”.


Once the encore was up all of a sudden something really magical happened. As Florence has been informing anyone who’ll listen ever since Kylie Minogue made it snow indoors. Whilst singing “Silent Night” no less. It really did seem made for the venue as my niece and I held hands and sang along. Kylie then moved onto a duet of “Especially For You”, dueting with the audience instead of Jason Donovan. I suppose it was her fiance’s birthday (Flo had taken great delight in joining the room to sing happy birthday earlier on) so wheeling out her former beau might have been a faux pas. Luckily Florence has received an excellent education so was more than able to duet with her idol. She ended the show with a rousing cover of “I Wish It Could Be Christmas Everyday”; and finally a very tired little girl saw her dream of balloons descending from the ceiling.

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“Next year Auntie Cha Cha perhaps we can sit nearer to the balloons” was Florence’s very matter of fact answer as the final applause ended and she beamed me a big smile.

Setlist

Act One

  1. “It’s the Most Wonderful Time of the Year”
  2. “Wonderful Christmastime”
  3. “Santa Claus Is Coming to Town”
  4. “Christmas Wrapping”
  5. “At Christmas”
  6. “Come into My World”
  7. “Confide in Me” (with John Grant)
  8. “The One”
  9. “Better the Devil You Know” (with Olly Alexander)
  10. “Celebration”
  11. “Stay Another Day”

Act Two

  1. “Your Disco Needs You” (with Katherine Jenkins)
  2. “100 Degrees” (Solo version)
  3. “Spinning Around”
  4. “Christmas Lights”
  5. “The Locomotion”
  6. “Santa Baby”
  7. “Let It Snow”
  8. “Can’t Get You Out of My Head”
  9. “Night Fever”
  10. “Everybody’s Free (To Feel Good)”
  11. “Love at First Sight”
  12. “All the Lovers”

Encore

  1. “Silent Night”
  2. “Especially For You”
  3. “I Wish It Could Be Christmas Everyday”

Big shout out to Stephen Smith for gifting Florence with one of the aforementioned special balloons!

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